
These are not decor prints. Each work is released as a genuine limited edition, capped in number, hand-signed, and never produced again once its run is sold out. Building a collection here means owning a piece that a wider audience simply cannot buy after the edition closes, not a print that can quietly reappear in a future batch.
Every limited edition print is produced in a capped run, generally fewer than 150. Each piece is digitally signed and marked with its place in the edition, for example 4/50. A limited run only means something if it stays limited: once an edition is sold out, that image is not produced again in that size and material.
Editions are offered on Gallery Acrylic, or FujiFlex Crystal Archival paper alone for framing. Both are chosen for color accuracy and longevity, not just impact.
Named Photograph of the Year by the Los Angeles Times, with work already collected by Hilton & Hyland and The Agency.
Custom sizes, panoramic aspect ratios, and black-and-white conversions are available on request, so a piece can be sized for the exact wall it is going on.
Gallery Acrylic
The photograph is printed on FujiFlex Crystal Archival paper, face-mounted to 1/4-inch acrylic glass, and encapsulated by a 1/8-inch backing for stability. A rear floating frame is included, so it is frameless and ready to hang on arrival. Light passes through the acrylic and reflects back off the print behind it, producing a near three-dimensional, glowing quality that paper alone cannot reproduce.
FujiFlex Crystal Archival Paper
The same archival paper on its own, for collectors who want to choose their own framing and matting rather than the acrylic's frameless, floating presentation. Chosen for resolution, clarity, and color vibrancy over standard photographic paper.
Only acrylic and archival paper are offered; no metal or canvas.
A print production run capped generally under 150. Each one is digitally signed at the lower front corner and marked with its number in the run, for example 4/50. Open, uncapped prints are not sold under the limited edition label.
Not a separate paper certificate. Authenticity is built into the piece itself: every limited edition print carries a digital signature and its edition number directly on the artwork, so provenance travels with the object rather than a document that can be lost or separated from it.
The photograph is first printed on FujiFlex Crystal Archival paper, then face-mounted to 1/4-inch acrylic glass, then encapsulated by a 1/8-inch backing for stability, with a rear floating frame included so it arrives ready to hang, no framing required. Light passes through the acrylic and bounces back off the print behind it, which is what produces the near three-dimensional, glowing look acrylic is known for.
Avoid direct sunlight and rooms with large humidity or temperature swings; keep the room below roughly 77°F and 55% relative humidity. Clean with a soft, water-dampened microfiber cloth only, never paper towels or alcohol/ammonia-based cleaners, which can cloud the acrylic surface. LED lighting is recommended over other bulb types since it doesn't emit the UV rays or heat that cause fading.
Shipping is free within the US. Gallery Acrylic prints arrive in 3 to 4 weeks and require a signature on delivery; FujiFlex paper prints arrive in 5 to 7 days. International shipping is not currently offered.
Yes. Custom sizes and panoramic aspect ratios are available on request (a small number of sizes are restricted by the print lab), and special pricing may be available when purchasing multiple pieces at once.
New work is released in small, capped editions, and pieces do not come back once sold out. Join the list to hear first.
Browse current editions by location and subject, or get in touch about a specific piece.